In “The Beguiled,” Sofia Coppola continues her observational work on American youth

Sofia Coppola, like John Hughes or Gus Van Zandt before her, is our foremost chronicler of American youthfulness. Plenty of other extraordinary films have captured experiences or asked questions about what youth means in American culture, but few have done so as consistently as Coppola. It began in The Virgin Suicides and continues in her newest film, The Beguiled. Continue reading “In “The Beguiled,” Sofia Coppola continues her observational work on American youth”

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